Showing posts with label The Heavy Pets. Show all posts
Showing posts with label The Heavy Pets. Show all posts

Monday, October 31, 2011

Spaghetti Warhol 2011.10.29 Funky Buddha Lounge & Brewery Boca Raton, FL

Repost from NewTimes Broward/Palm Beach found here.

Live: Spaghetti Warhol at Funky Buddha, October 29

Categories: Concert Review

Spaghetti Warhol 1 (small).jpg
Photo by Adam Smith
Spaghetti Warhol
With the Heavy Pets
Saturday, October 29, 2011
Funky Buddha Lounge & Brewery, Boca Raton, FL 


Shedding their questionably suggestive nomenclature for something a bit more on the silly side, Fort Lauderdale's the Heavy Pets transformed into their Halloween-enhanced doppelgänger act Spaghetti Warhol at the Funk Buddha Lounge & Brewery on Saturday.

Although having auditory selection differences, the lineup is the same. The alter-ego project has an affinity for covering other bands' tunes. Of course, that is a thematic constant during this holiday's music season and especially true for jam bands. The room and front outdoor patio were overflowing with costume-clad fans building a preshow buzz on choice microbrews. Even before the first note, the vibe was nothing but a good time and seemed to be more of a private holiday party for the Pets faithful. The laidback approach to the night eventually saw the band take the stage in full matching black Venetian raven masks and long black capes. The lights were dimmed, and trace guitar notes of the set opener came from Bob James' "Nautilus." The spooky aspect was in full effect, and a trance-like sway was contagious on the dance floor. True to form, the Heavy Pets' schizophrenic project switched gears, and drummer Jamie Newitt took the mic for a solid take on Sugarhill Gang's "Rapper's Delight." As if trying to purposefully leap over the genre boundaries, a triumvirate of covers finished off with John Denver's "Country Roads."

A short break bought out an odd approach, as Spaghetti Warhol covered their Pets counterpart's fast-paced rock instrumental "Earthchaser." During a breakdown, the tune melded into the David Gilmour's guitar solo section of Pink Floyd's "Time." The ringing note to close the legendary rock tune started a segue back into a stunning solo by Jeff Lloyd to close the Pets-Floyd sandwich.

Homage was also paid to Kurt Cobain with a heartfelt "Dumb," which was followed by a mockingly funny Cee Lo tribute with "Fuck You." Playful anthems for the night were the midpoint of the goofy set and included the Police's "Bring on the Night" and Neil Young's "Out on the Weekend." All members were hitting every fill and gap, pushing the tunes to places the originators would have even given approval.

Things took a turn for the awesome when bassist Justin Carney revealed a Ramones shirt under his cape, then added a leather jacket, wig, and glasses. The band proceeded to do a marathon of punk with "Sheena Is a Punk Rocker," "Now I Wanna Sniff Some Glue," and "Blitzkrieg Bop." The departure into throwback material with that kind of energy had the crowd energy peaking and mockingly slam dancing. Carney capped off the rare vocal performance by throwing down the microphone stand. A return to the Pet's catalog with "Castles Made of Sand" brought about an extended jam landscape on which Lloyd laid down some machine-gun guitar soloing to close the set.

Set break put the party back into full swing, and the judges roamed the room looking for the best costumes. A spaceman and spacewoman took pictures with random members of the crowd in between libations and laughs. A pink Foxy Cleopatra worked the room for what it was worth. Brotherly Love Productions founder Matt Beck, dressed in a hilarious dog costume, came onstage and was followed by the band back in the Heavy Pets mode. As he announced the winners of best costume, the band played a beat-poetry instrumental before jumping into "Keep Me Running."

Without stopping for breath, the tune faded into one of the best versions of "Better" to date. The guys' theatrics reflected that they were really feeling the alternative-rock deep cut. The dance party went off the Richter scale when "Girl You Make Me Stupid" dropped and the entire room was jovially pulsing. Hoots, hollers, and high-fives were cut off when a deep dig into the discography brought out a stunning rendition of the psychedelic rock intensive "Monster Box." Not only the highlight of the night but really one of the best moments from the quintet in recent history.

As the hours grew late, a fitting "3 AM" was jammed to perfection, and a fun "Instant Karma" encore preceded an afterparty that went late into the night. Newitt and keyboardist Jim Weust took the party into the early morning with their dubtronic duo Dubble James at the Boca Muse. As twilight was beginning to peak its head over the horizon, another epic Halloween weekend of music came to a close.

Critics Notebook:

Random Detail: Sporting black Venetian raven masks and full body capes, the band had the best costumes of the night.

The Crowd: A sizable turnout of the Heavy Pets regulars, and many of them had great costumes.

Overheard: "I can't do right foot yellow and left foot blue at the same time" from a spacewoman attempting to play a game of Twister on a girl dressed as the game.

Set I

Nautilus, Rapper's Delight, Country Road, Earthchaser> Time> Earthchaser, Dumb, Fuck You, Bring On The Night, Out On the Weekend, Honey From The Jar, Sheena Is a Punk Rocker> Now I Wanna Sniff Some Glue> Blitzkrieg Bop, Castles Made of Sand

Set II

Costume Contest Jam> Keep Me Running> Better, John Galt, Girl You Make Me Stupid, Monster Box, 3 AM

E: Instant Karma

Videos courtesy of Cheesehead Productions.





Thursday, October 20, 2011

Album Review: The Heavy Pets - Swim Out Past the Sun



The Heavy Pets will officially drop their third studio effort this weekend with a blow out party hosted by The Stage in North East Miami. Swim Out Past The Sun is a benchmark release produced and recorded by Grammy Award winner Scott Matthews at the recording oasis TikiTown in Mill Valley, California. The ten track album is accented by three cuts featuring long time Jerry Garcia collaborator David Grisman on mandolin and vocal backing from Shana Morrison, daughter of the legendary singer-songwriter, on a few others.

Instantly tracing back their roots to the beaches of South Florida, the opening track offers an intro mixed with eerie surf guitar and rolling drums. The first acoustic guitar notes are heard when "3 AM" drops into a stylized reggae section promoting a simple, yet fitting, "Yeah." The build up in context encompasses the feeling behind the years of writing and rigorous touring that have lead the band to this point. Now the quintet based out of South Florida has arrived in a literary and metaphysical connotation. Never strangers to taking on island music anthems, the well executed vocalizations roll like waves on top of gaps filled by technical acoustic pickings. Uplifting lyrics dance around notions of carpe diem in a real world sense, and intermingle with hints of playful reminders that the details make up the finer things in our lives. The lead in and resulting chorus explains,

"when you're lost in the fight and you're out of control
not going to lay down, not going to give my soul to them,
take everything you can, in the morning,
take everything you can, late at night,
fire at 3 AM, you will never stop me,
take everything you can, go ahead and try."

An extended instrumental in "A Doy And His Bog" follows as a landing pad to really emphasize the true acoustic nature of the project. Space is paired with repeating emphasized instrumental syllables and borderline classical movements. Maintaining the ability to transcend genre themes, even on an acoustic effort, is a well kept theme that is probably best demonstrated by "Stay On My Heart." The pop-rock take is the ground work for a beautifully harmonized duet between Jeff Lloyd and Shana Morrison. The axe experts take a back seat and allow for Jim Wuest to bring a true piano tone finesse that fills in over the energetic tom-tom banging by Jamie Newitt.

The attraction for any band over time is the ability to innovate while not appearing to sell their original sound down the river. The Heavy Pets core is not lost in the mix and a common thread exists throughout. Fans of the alternative stylization that define their earlier efforts will enjoy the 90's nostalgia that "Bridge" brings to the table. Mike Garulli repeats, "Everyday is a bridge between dreams" among verses outlining a day-in-the-life of for a young musicians in lust with the right girl and details of his life, yet discontent with the time in between as a whole.

Familiar lounge piano and light, yet still pinpoint, vocals (think "Grace Blix") take form in the pseudo-reggae of "Foolishness." Wuest leads the bob and weave groove with a familiar narrative of man's plight with decisions made in poor judgement. Just one of the many philosophical touch points that are addressed on Swim.

Serving as the source of the album title, the next track flips the script once again and approaches the fringes of country blues. Execution comes in a way to showcase that they can go there, but also that they can do it really well. Faint slide and electric guitar, and even horns, layer the canvas in perfect harmony. Less technical and more sympathetic to the song writer purists, 'Lantern" is a reminder of the musicality that can be found in simplicity. The Pets have figured this out and make it a point to master the art.

Grisman steps into the light on the next three tracks, "On the Waves," "Song For John," and "Grandma June." His presence is felt in the most appropriate way possible. All three tunes provide numerous locations for Grisman to make his mark and he does so in an appropriate and wise way. The interplay between Lloyd and Shanna's voice offerings, the subtle picking of an acoustic, and the mandolin fills by Grisman draw the ear to each element during different phases of "On The Waves." The end result is a necessity to replay more than a couple of times to get it all - an illustrious facet of past and present tunes. That is, of course, after you continue on to the blues ballad "Song For John," which is equally dynamic and worthy of the same treatment. Garulli wears it on his sleeve,

"you never did meet one that didn't let you down, did you,
you left last night but you never got a chance to say good bye,
you're moving so fast guess you just out ran the sunshine,
not one to follow but,
I'll meet you where the music doesn't stop."

The three run homer with Grisman finishes with a quick eulogy-esque ode to a figure that speaks of better times in the past. A direct contrast to the themes pushed in "3 AM," the 48 minute episodic journey to this point in the record becomes more of a human reflection than a personal narrative. The auditory trickery of the mandolin sweeps over the entire track "Grandma June," and is a fitting exclamation point to the folk infused ballads that fill the second half of the record. All three could be played in unison with cohesion while also standing on their own just as well.

"To See Forever" bookends an eclectic odyssey that takes the form of an emotional and sound roller-coaster. As a concept album straying away from the electric norm of The Heavy Pets, the final product is an instant success. The real satisfaction is not instant gratification though. The notes, words and themes stick with you beyond the listen and will be a staple album for fans of the band when seeking diversity in their sound. The real beauty will be seeing how these songs undergo metamorphosis and push the improvisational boundaries in the live setting that truly defines The Heavy Pets.

Monday, October 17, 2011

The Heavy Pets 2011.10.14 - 2011.10.15 The Green Parrot Bar Key West, FL

The weather was no match for The Heavy Pets and the fan faithful as they threw down five sets of pure bliss and reaching rock and roll at the infamous Green Parrot Bar. The turnout was strong with a balanced mix of familiar faces and fun locals ready for good music and a party. The music speaks for itself and a pattern of crash landing back in Florida after an East Coast tour has proven to be the Pet's shtick.
By Ariane B. Davis
Thanks to the amazing Brotherly Love Productions crew, Cheesehead Productions and I Live Music. Together we combined to paint a picture of what went down this weekend. Enjoy.

Friday, 2011.10.14 

Set 1
This Side Up
Foolishness>
Pain of Soul
70 Beats in the Lion's Den
Pleasure Tank
Mountain Song
Lisa Put a Penny>
Off the Rails
Keep On
Taste of Wind>
Operation of Flight>
Taste of Wind

Set 2
Help Me Help You
Once Again
No More Time
Sopressata
Slow Down
Waiting For a Sign
Travel
Spin 'Round
Bibbles
Chevrolet
Sleep

Set 3
Girl You Make Me Stupid
Chew
Eleanor B Roosevelt
Holy Holy
John Galt
Ichabod's Train
Rise
Dewpoint
E: Drenched


Saturday, 2011.10.15

Set 1
How Would I
Hedi Sigsmondi
Megaphone
So Thank You Music 
Better
3am
Jackie Bones

Set 2
Pass It Down
Iceberg Blues
Keep Me Running
Tortuga
Do It Right
Lazy Anna
Electric Xanadu
The Bridge
Precious Mind  
Kevorka  
E: Grace Blix
E2: Trout Song










































Friday, October 14, 2011

The Heavy Pets 2011.10.13 Roxy's Pub West Palm Beach, FL

The Heavy Pets played a full house at the Roxy's Pub Saloon Stage last night and brought a double get-down with two strong sets. Below are pictures, video and the setlist.

Highlights: Justin's huge bass sound all night, opener "So Thank You Music" jam, Jackie Bones played fast, Electric Xanadu deep space jam with Mike using fret board effects, Mike's solo during Pass It Down, and a full band peak during Madagascar.

Mustache Jim Feeling It | Roxy's Pub
Jeff Going Deep | Roxy's Pub
Justin  Dropping Bombs | Roxy's Pub
Mike Getting Soulful | Roxy's Pub
Side Stage | Roxy's Pub
Barn Burner | Roxy's Pub
Rhythm Section Into It | Roxy's Pub
Jim Synthesizing | Roxy's Pub
Clap It Up | Roxy's Pub 
Setlist
Set 1:
So Thank You Music 
Better>
Jackie Bones>
Sinner>
Slow Down
Electric Xanadu 
Pass It Down

Set 2:
Earth Chaser 
Black Ice>
Madagascar
On The Waves
Megaphone 
Hedi Sigsmondi 
E: Grace Blix

Videos by Adam Firtel at Cheesehead Productions